Former Disney animator here: you have nothing to worry 
about. These are the SAME exact anxieties and concerns that we went 
through in the industry when everything switched from traditional 2D 
animation to 3D. If you love the artform, you will undoubtedly find a 
way to adapt and continue to express yourself, regardless of what 
inventions end up on the scene.
Your ability to express yourself is about to be magnified to unimaginable heights.
Brief example: I love the art of a good story. When I was a kid, I 
loved text-based adventure games because you could be “inside” the 
story. So I taught myself BASIC and built my first Zork-clone. I even 
taught myself Assembly language because I read somewhere that was 
faster.
Well, one night, after 12 hours of coding, I forgot to save my work. 
This was before autosave or even Ctrl+S was a thing (it was on my dad’s 
64K PC). I cried for a couple of hours and vowed never to touch a 
computer again.
So, of course, I decided to become a Disney animator because I thought, “There’s no way a computer could ever do animation.” 
I picked up a pencil, got into CalArts, and ended up at Disney a 
couple of months after The Lion King was released. I had finally 
achieved my dreams.
Less than two months after being hired, I was called into the theater
 to watch the opening sequence of Toy Story when Andy gets Buzz 
Lightyear. We all walked out of the theater stunned–probably the same 
way you felt after watching those Sora demos. “How was that even 
possible?” “Well, at the very least, our animation is better. 3D will 
never be as good as 2D.”
More 
There are scenes in Encanto that eclipse anything ever animated with a
 pencil. There will be scenes animated with Sora that will eclipse 
Encanto.
The important thing is what lies within you and your heart.
I learned 3D after leaving Disney to go work at Dreamworks. And I was
 one of the better animators there because of everything I had learned 
in the 2D world. I cared very deeply at the artform and it showed 
through my work. Even though I was using a mouse instead of a pencil, I 
was able to carry everything I had learned prior into the next stage of 
creative expression.
Which brings us to the OpenAI Developer forum. Why the heck am I here now?
It all leads back to that original love for great storytelling.
When I went back to animate for Disney, I began to do story 
consulting for various projects. I had discovered a theory of narrative 
along the way that I knew would address all the problems of production 
(I.e., not figuring out the story until the last two months of 
production!). The success I had helping people write better stories 
motivated me to strike out on my own and setup my own business. But the 
success I had there required me to find a way to scale my expertise and 
reach.
So I taught myself backend and frontend engineering, built my own 
app, rolled it out, and have been running that full-time for over six 
years now.
In April of 22 I added GPT-3, stunned with what was possible just by 
calling out to something called ‘text-davinci-003’. In February of 23, I
 delivered a virtual version of myself through OpenAI’s Chat Completion 
APIs, stunned by what was possible just six weeks earlier with ChatGPT. 
Greg’s GPT-4 napkin demo stunned me–and weeks later my app’s 
“intelligence” grew by leaps and bounds with ‘gpt-4’. The Summer saw 
function calling, the Fall image generation APIs, forced JSON, and 128K 
context windows–all stunning revelations in their own right.
You have to get used to the fact that the hopeless stunned sensation 
you feel in the pit of your stomach is an indication that things are 
about to get really really great.
Looking back, EVERY perceived “setback” along my timeline was just 
preparation for an even better way to creatively express myself. I’m 
actually kind of jealous of where you are and what you have to look 
forward to. I’m super grateful for all of my experiences, but they’re 
nothing compared to what you’re going to be able to do and create.
One last thing: I used to teach at CalArts, so I also have experience
 watching 19 and 20-year old students blossom into professional 
artists–some of whom were even nominated for Oscars! Those who succeeded
 did so in spite of technological advances or shifts in the culture: 
they walked in with a driving passion to express themselves and were 
determined to share their vision of the world by any means necessary.
Hold on to that and everything else will work itself out.
(PS - I wrote more about this a year ago when ChatGPT came out: The Existential Threat of AI for Artists: A Personal Perspective)